Margo Shea

 It was such a pleasure to talk with Ryan Shelton of New Books Network about my book, Derry City.   I've linked to the interview here . Enjoy! For a 40% off coupon and free shipping, enter (type, don't copy and paste) the promo code 14AHA22 . This offer is good for both print and ebooks, but it is only available through January 31st, 2022 .  

 My mom loved St. Patrick's Day. The retinue of "deedle-lee-dee" gave her great joy. At some point in the week leading up to the holiday, there would be singing in person or over the phone, depending on where I lived.  Her favorite song was "McNamara's Band" and she would giggle every time " Henessee Tennessee tootles the flute" was sung in the chorus.  She also loved that classic of Irish America, which has grown on me over the years, " If you're Irish come into the parlour." (In this version by the Irish Rovers, the two songs are played together.)   I hated it when I was younger for the clippy-clappiness of it.  Now, older and having lost my mom, there is something about the "big songs" of the Irish American songbook that cheer and ground me. I miss her "welcome mat" and the song, for a moment, returns it to me. When I spend time with my father these days, it is in a car.  We go for drives on Sundays a couple t...

 The lovely people at Wistariahurst invited me to talk about Derry City and people got to jump in and ask questions, which was really fun.  The talk is a little different, though obvs the themes are the same! Let me know what you think! To learn more about my book, Derry City , click here .  For a 40% off coupon and free shipping, enter (type, don't copy and paste) the promo code 14AHA22 . This offer is good for both print and ebooks, but it is only available through January 31st, 2022 .  

Very excited to share the catalogue info for Derry City !   (Note: If you want to buy the book, check here regularly, because I post discount promo codes from the press as they become available. The paperback won't be out for awhile, and the hardcover is pricey. ( Enter promo code 14AWP22  in the shopping cart to redeem 40% off your purchase and free shipping in the domestic U.S. until April 8, 2022.) The book traces the social and cultural history of Catholic and nationalist Derry from the end of the 19th century to the 1960s through the lens of memory and thus explores how engagements with memory might help us better understand history. Mapping memory work and historical consciousness, I argue through this book, illuminates a deep reservoir of a community’s experience and makes visible battles that were waged quietly, out of the limelight over long periods of time. When they were producing formal historical accounts, local chronicles, telling ghost ...

I copied over this article from the UMass History Dept blog.     In 2015, I set off for south-central Tennessee’s South Cumberland plateau to take up a two-year  Mellon fellowship with the Collaborative for Southern Appalachian Studies at Sewanee: the University of the South.  The Collaborative, a partnership with Yale, envisioned starting and sustaining multidisciplinary, community-engaged, curricular projects that had place as their focus. In other words: pretty much any public history endeavor would fit the bill. I had some basic goals for my Mellon project.  I wanted it to be something I could begin and complete in two years.   I wanted it to be digital.  I wanted it to engage local history and memory.  I wanted students with different interests and strengths to have meaningful roles to play.  Most of all, I wanted to undertake a humanities project that the pragmatic people of the region would see as use...

The Museum of Free Derry has recently drawn fire from all sides for an exhibit that lists the names of all those killed in the area during the early Troubles.  On one hand, relatives of RUC officers killed during the Troubles "find it disgraceful " that their loved ones are identified in a space they consider a bastion of republicanism and which supports "terrorism."  On the other hand, some relatives of Bloody Sunday victims and others object to the full display of names of those killed on the grounds that it shows "complete disrespect for those on the list that have been murdered by the establishment" by having members of "the establishment" listed alongside the Bloody Sunday dead and other victims of state violence.  While the exhibit has been up for a decade, it has received attention recently because of the reopening of the museum after renovations. I was so glad that the Museum of Free Derry received £2.4m to fund renovations and an ex...

This was a really fun TV appearance with three of my best and most delightful students. There is so much I could say here about our Highlander efforts and about how hard these students work, but you should just watch the segment:

Today, the International Coalition of Sites of Conscience announced its grant awards for 2016. Photo courtesy of SHOUT One grant was awarded to an organization called   Diversity Challenges , whose mission is "to assist culturally specific groups in integrating community relations principles and considerations within all aspects of their work." According to the Sites of Conscience the grant will  fund “Voices from the Vault,” a project that collects stories from former police officers in two police forces on either side of the (Northern Ireland) conflict. The work is groundbreaking in the sense that it is uncommon for state agents in any dispute to talk about their experiences." Ummmm, what? As a public historian, I tend to dismiss academics who get petty about semantics.  They always seem to have an air of the kid in the front of the room just dying to get the answer right. (The kid waving their hand in the air so hard you think they might pee themselves...

According to Northern Ireland elections statistics, only 56% of registered voters in the Foyle District turned out to vote in last month's elections.  As an historian of Derry, this breaks my heart a little. Look at the photo to the left.  Those are real people.  Historical figures, some of them, like Eddie McAteer and Bernadette Devlin McAliskey. Civil rights steward Vinnie Coyle.  Others, probably, not known to me.  And then the faces of the young, the hopeful, the indignant, the worried.  The faces of the civil rights movement.   Which -- of course -- was in large part a movement for for the right for every adult citizen to have a vote.

My students and I have been busy.   Sewanee Students Offer Historical Tours of the Highlander Folk School  If you have ever wanted to learn more about the Highlander Folk School in the Summerfield community of Grundy County, now is your chance to learn. University of the South students enrolled in courses offered through the Collaborative for Southern Appalachian Studies will offer free historical tours of the Highlander Folk School site on Saturdays throughout April. Tours will be offered at  1 and 3 p.m.   April 9 , 16, 23, and 30, weather permitting. Tours last approximately one hour and leave from the Highlander Folk School Library on Old Highlander Lane in Monteagle, Tennessee. If you are interested in attending a tour, please plan to arrive 10 minutes before it is scheduled to begin. Student tour guides will share the history of the site and the vision and ethos of its founders and staff. They will introduce the historic programs and work of ...

It is the 100th anniversary of the Easter Rising.  Events throughout the week, indeed throughout the year, are scheduled in Dublin.  It is an interesting moment of looking back and looking forward, as commemorations generally tend to be.  I, for one, think the Republic has only healed from its turbulent history in the wake of the Northern Ireland peace process.  Until then, there were still schisms and wounds.  What kind of nation is Ireland and what kind of nation will it be?  The centenary of the Rising is a good time to ask these questions, a good time to transcend post-colonial collective traumas and still, to carry the lessons of the past to continue to construct a democratic, progressive, welcoming nation that puts the wellbeing of its citizens before everything else. At about 11:00 am on Easter Monday, 100 years ago today, the Irish Volunteers, along with the Irish Citizen Army, assembled at various prearranged meeting points in Dublin, and b...

Ever wonder what a group of talented, ambitious, passionate and creative young museum professionals would discuss if they got together on a Tuesday evening?  So did I.   Hence, this event, which took place April 21, 2015: We had a terrific panel discussion with practitioners working in historic museums, historic sites and other corners of the field.  I was so impressed  by the thoughtfulness and generosity of our panelists -- Bethany Groff Dorau, North Shore Regional Site Manager for Historic New England, Doneeca Thurston, Adult Programs Coordinator at the Peabody Essex Museum, Kate Preissler,  Executive Director at Wisteriahurst Museum and Jonathan Parker, Chief of Education, Interpretation and Collaborative Partnerships at National Parks Service -- Salem Maritime and Saugus Ironworks National Historic Sites.

How do you say the unsayable?   Translate the untranslatable?  It makes sense that David Best, a sculptor deeply embedded in the "you can't understand it until you've been to it" Burning Man festival would come to Derry, Northern Ireland with ingredients for a community project designed around reflection and release. Sponsored and organized by Artichoke Trust , which specializes in helping artists engage communities in larger-than-life installations located in unpredictable spaces, Temple was conceived as a community process.  To build it.  To inhabit it. To witness as it burned. According to Best, the point of Temple was twofold: to create a space for catharsis and to reframe bonfires. Bonfires, of course, have a long history in Northern Ireland.   There were fires to commemorate the 12th, the Relief of Derry in August, and then tit-for-tat bonfires to observe Lady Day, or the feast of the Assumption of Mary a couple days later. ...

Photo credit: Kate Preissler I took a risk this semester and dedicated a fairly large chunk of class time to teaching Serial in Intro to Public History.  It was placed in the syllabus as a bridge between a unit on memory, identity and different publics and a unit on settings and tools for public history practice.  I was inspired to do this by my own engagement with the podcast ( errrr, obsessive binge listening ) and by some great email conversations with Kate Preissler, Digital Projects Manager at the Berkshire Museum in Pittsfield, MA, who wrote a fabulous blog post on Serial and public history for the NCPH blog. In case you've been under a rock,  Serial  was a hugely popular podcast that ran for twelve episodes last autumn.  It examined the murder of high school student Hae Min Lee in 1999 in Baltimore and pulled apart the evidence used to successfully convict Lee's ex-boyfriend Adnan Syed -- who pleaded not guilty and maintains his innocen...

I was running an administrative errand in a building I visit only infrequently on campus when I came across a small DIY pop-up exhibit commemorating numerous victims of racist violence.  Welcome to The Ledge Gallery, folks.   This makes me glad.  It is simple. It is somber. It is done with a very sparse curatorial hand --- no labels, no descriptions.  The images speak for themselves.  The images speak to those who stop, who look, who listen to what the they say. A memorial card for Malcolm X holds the center of the tableau.  It forefronts "Our Black Shining Prince," the name Ossie Davis chose for Malcolm X in the eulogy he delivered at Faith Temple Church of God in February, 1965.  Davis famously likened X to Jesus and called on supporters to continue his work when he exhorted, " what we place in the ground is no more now a man—but a seed-which, after the winter of discontent, will come forth again to meet us. And we will know ...

Every time I teach Intro to Public History, we begin the semester with two sets of readings.  One set examines public history as it is situated within: the history of the national parks the discipline of history the context of efforts to amplify invisible, untended or uncomfortable histories the context of ordinary people's interests and engagements with the past These go over very well.   The other set?  Classics like Becker's "Everyman His Own Historian," David Lowenthal's meditation on the benefits and burdens of the past, Pierre Nora's famous (and famously dense) discussion of lieux de memoire, "sites" both literal and metaphorical that serve as bridges between history and memory and as anchors of identity in a rapidly changing and homogenizing world. These go over terribly.  And I assign them anyway.   This semester, I made my students do a reading response to these readings.  Some of them were fabulous. Some of them, shall w...

They say comedy = tragedy + time .  A proposed television series set in Ireland during the Famine (1845-1852) has raised interesting questions about how to attribute meaning and weight to each variable in this particular equation. When screenwriter Hugh Travers, a Dublin native, mentioned in an interview that he had been given an open commission to develop a television program by Channel 4, and was working on a tragicomedy set during the Famine, he referred to it as a "kind of Shameless , set during the Famine."  Reaction was speedy, and quite what you would expect.  Most stories ran photos of Rowan Gillespie's Dublin memorial to Famine victims. The Daily Mail  led the race for the headline with, "Is this the Most Tasteless Idea for a Sitcom Ever?"  while IrishCentral.com's Irish-American pundit  Niall O'Dowd forgave those who thought this was an April Fool's joke . The Irish Times interviewed writers and histo...

John Michael McDonagh 's latest venture, Calvary, stars Brendan Gleeson and a whole cast of compelling actors, including   Chris O'Dowd ,  Kelly Reilly ,  Aidan Gillen ,  Dylan Moran  and  Isaach de Bankolé . It is probably fair to say that the younger McDonagh stepped out definitively as something more than Martin's brother and creative collaborator with this one.   I challenge the reviews that refer to this as a black comedy.  It's not black, but rather demonic, humor.  Until a point, after which it is not funny anymore.   "Beautifully bleak?" Indeed. "Mordantly funny?" Yes.  But the New Yorker reviewer who called it silly either didn't see the film or really doesn't get Ireland , Catholicism or, well, death. Full disclosure: I might have had a panic attack in the movie theater.  Not at the scene, but at the bar scene ,  the one that suggests that the whole thing is on a rapid downhill slide.  I...